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If there's something that gets people's attention, it's news that you can now carry music around with you on a T-shirt! Now, before you get too excited, it will come as a big disappointment to learn that the said T-shirt...doesn't actually play any music?!? At this point, you may be wondering if it's all just a gimmick? Not so. When you buy the T-shirt, a hang tag will provide you with a unique code that you can use to download the full album.

The Music Tee which has been created by Invisible DJ and LnA is an innovative merge of fashion and music. The hip hop artist, Mos Def, is the first to launch his new album, The Estatic, in the new 'fabric format' which will go on sale from July 7th. The T-shirt's design will feature the album's artwork on the front and a list of songs on the back.

The cost of the Mos Def T-shirt will be $39. If you're a fan and want the new album via a more traditional route, then you can still purchase The Estatic from digital music services, and on physical media (audio CD, vinyl).

Captan seniales del Airbus que cayo

Captaron señales de las cajas negras del Airbus que cayó en el Atlántico con 228 personas

Barcos franceses captaron una señal débil de las balizas de las cajas negras del avión de Air France que cayó al océano cuando cubría un vuelo entre Brasil y Francia. El submarino "Nautile" se sumergió para localizar los elementos que permitirían conocer las causas del accidente

La Marina francesa logró captar las primeras señales de las "cajas negras" del Airbus A330 de Air France que cayó al Océano Atlántico con 228 personas a bordo el 1 de junio pasado. Según indicó el periódico francés Le Monde, los barcos captaron una señal débil de las balizas de las "cajas negras", por lo que el submarino "Nautile" se sumergió con la intención de localizarlas. La recuperación de las cajas es esencial para la investigación de las causas del accidente y su búsqueda se ha convertido en una carrera contrarreloj, ya que emiten señales sólo por 30 días, de modo que probablemente cesarán a finales de junio.   Cabe destacar que se cree que las cajas yacen en un área montañosa del fondo marino, a una profundidad de hasta 4.800 metros.

 

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News Release Issued: June 23, 2009 9:00 AM EDT

Boeing Postpones 787 First Flight

EVERETT, Wash., June 23 /PRNewswire-FirstCall/ -- Boeing (NYSE: BA) today announced that first flight of the 787 Dreamliner will be postponed due to a need to reinforce an area within the side-of-body section of the aircraft.

The need was identified during the recent regularly scheduled tests on the full-scale static test airplane. Preliminary analysis indicated that flight test could proceed this month as planned. However, after further testing and consideration of possible modified flight test plans, the decision was made late last week that first flight should instead be postponed until productive flight testing could occur.

First flight and first delivery will be rescheduled following the final determination of the required modification and testing plan. It will be several weeks before the new schedule is available. The 787 team will continue with other aspects of testing on Airplane #1, including final gauntlet testing and low-speed taxiing. Work will also continue on the other five flight test aircraft and the subsequent aircraft in the production system.

Scott Carson, president and CEO of Boeing Commercial Airplanes said a team of experts has already identified several potential solutions.

"Consideration was given to a temporary solution that would allow us to fly as scheduled, but we ultimately concluded that the right thing was to develop, design, test and incorporate a permanent modification to the localized area requiring reinforcement. Structural modifications like these are not uncommon in the development of new airplanes, and this is not an issue related to our choice of materials or the assembly and installation work of our team," Carson said.

Boeing's financial guidance will be updated to reflect any impact of these changes when the company issues its second quarter 2009 earnings report in July.

Boeing will hold a conference call with Carson, Pat Shanahan, vice president and general manager of Airplane Programs, and Scott Fancher, vice president and general manager of the 787 program, to discuss the 787 program today at 10:00 a.m. EDT, 7:00 a.m., PDT. A webcast of that call will be accessible at www.boeing.com.

Contact:
Yvonne Leach, Communications, 206-854-5027
Lori Gunter, Communications, 206-931-5919
Rob Young, Investor Relations, 312-544-2140

SOURCE: Boeing

 
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Avion brasilenio abandona busqueda

Avión brasileño con radar nocturno abandona la búsqueda de restos del AF 447

 

 

SAO PAULO (AFP) — El avión militar brasileño R99, especializado en rastreos
nocturnos, fue retirado de las operaciones de búsqueda de restos del Airbus
de Air France desaparecido en el océanon Atlántico hace tres semanas,
anunció el sábado el Ejército en un comunicado.

 

"El R99 voló más de cien horas y cumplió un papel fundamental en la
operación, sobre todo en su fase inicial", señaló la institución castrense,
en referencia al aparato dotado de un sistema que permite el rastreo
nocturno de grandes áreas que permitió ubicar los primeros restos del
malogrado vuelo 447 de la aerolínea francesa a 1.000 km de la costa de
Brasil.

 

Hasta el momento, fueron recuperados del mar los cuerpos de 50 de las 228
personas a bordo del A-330 de Air France accidentado el 1 de junio. La
búsqueda continúa con otro avión y una flotilla de buques franceses y
brasileños, señaló el comunicado militar.

 

El Embraer R99 de la Fuerza Aérea de Brasil es un avión tipo Awac construido
sobre un birreactor ejecutivo de fabricación brasileña diseñado para vigilar
la Amazonia.

 

Los restos del aparato y sus ocupantes son buscados en un área de 19.000 km2
en las inmediaciones del archipiélago de San Pedro y San Pablo, a más de
1.000 km de la costa de Brasil

 

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Causaron politraumatismos muerte de tres víctimas de Air France

	Causaron politraumatismos muerte de tres víctimas de Air France
	Sao Paulo, 23 Jun (Notimex).- Las pericias realizadas a tres de las 11 víctimas identificadas del vuelo 447 de Air France que se precipitó el 31 de mayo pasado determinaron que ellas murieron a consecuencia de politraumatismos, informaron hoy fuentes médicas. El jefe del equipo responsable de embalsamar los cuerpos, el doctor José Calvo, dijo a radioemisoras locales que los expertos del Instituto Médico Legal determinaron que la causa de muerte de esas tres personas fueron las lesiones provocadas por un fuerte impacto. Precisó que aquello se encuentra establecido en el informe de la necropsia y en los certificados de fallecimiento que fueron expedidos por las autoridades del estado brasileño de Pernambuco, donde se realizaron los exámenes a los cuerpos encontrados en el mar. Calvo acotó que, aunque las lesiones que provocaron las muertes de las tres personas de nacionalidad brasileña hayan sido "muy bien documentadas", no es posible asociarlas a una probable causa del accidente del Airbus A-330 de Air France. Los cuerpos de tres de las víctimas brasileñas de la tragedia aérea fueron embalsamados la víspera en el cementerio Morada de Paz, en la región metropolitana de Recife y este martes debían emprender viaje a sus ciudades de origen. Otras ocho víctimas ya identificadas, una de ellas extranjera, serán embalsamadas en los próximos días por los expertos contratados por Air France. Los equipos de rescate brasileños y franceses han encontrado hasta ahora los cuerpos de 50 de las 228 personas que viajaban en el vuelo de Air France que cubría la ruta Río de Janeiro-Paris el 31 de mayo pasado y que se precipitó a las aguas del Atlántico. Además han encontrado en el mar trozos de la aeronave, equipaje y restos humanos en una zona distante mil 100 kilómetros al noreste del archipiélago de Fernando de Noronha, el cual se encuentra a 545 kilómetros de las costas sudamericanas.

La nueva pelicula de Woody Allen

Writer/director Woody Allen's latest comedy, Whatever Works, features a May/December romance between a cranky intellectual and a sweet young girl, as well as the transformation of a proper Southern lady into an uninhibited wild woman. Larry David of Curb Your Enthusiasm plays the smart guy who finds himself curiously attracted to a woman decades younger (Evan Rachel Wood). Patricia Clarkson, who worked with Allen on Vicky Cristina Barcelona, co-stars as Wood's mother who travels to New York to see her daughter but soon finds she's inexplicably drawn to the bohemian lifestyle she encounters there.

At a press conference in LA in support of Sony Pictures Classics' Whatever Works, the threesome talked about what life was like on the Woody Allen set.

Larry David, Evan Rachel Wood, and Patricia Clarkson Press Conference

You were very reticent about doing the film. How did Woody Allen talk you into doing it?

Larry David: "First of all, I am reticent about everything so it is not unusual for me to be reticent. But, yes, I was reticent because…I don't know? It was something unusual for me, I had never done anything like that before, playing a character, memorizing material…"

Evan Rachel Wood & Patricia Clarkson: "A lot."

Larry David: "A lot of material. And I have a lot of self-doubt and negative feelings."

Patricia Clarkson: [Laughing] "How do you really feel, Larry?"

Larry David: "And I thought that I should communicate that to him, which I did. He said, 'No, you'll…I'll be fine.'"

In the monologue that's probably a couple of pages long - where you speak to the audience - did that frighten you? Did you have to memorize that?

Larry David: "That was a very daunting prospect. Yes, I did have to memorize that. I was kind of thinking when I first saw it, 'Oh, maybe they'll just get a teleprompter.' [Laughing] Then I thought, 'Yeah, Woody Allen might not use a teleprompter...' So, I had to work on that and I memorized that. But after I memorized it, it was actually okay. I found it easier to talk into the camera than I did talking to these two, to tell you the truth."

Did you ever have a relationship with Woody where you could go up to him and say, "No, maybe not," or did you just go with what was on the page?

Larry David: "He was very open to us, right? He was open to us changing…"

Patricia Clarkson: "Changing things, improvisation..."

Evan Rachel Wood: [Laughing] "I was too afraid to change anything."

Patricia Clarkson: "Yeah, he was pretty open."

Evan Rachel Wood: "But we really didn't want to change it."

Larry David: "Once I tried to change it, and I remember it was a scene with you. I tried to improvise something and he just looked at me like I was insane. I thought, 'I am never doing that again.'"

Evan Rachel Wood: "Yeah, I tried to do it once, I think, at Grant's Tomb. And I got lost and completely didn't know where I was, and so I didn't do it again after that, either."

Evan, you're a bright, young woman, so how hard or fun was it to play someone so clueless?

Evan Rachel Wood: [Laughing] "I don't want to sound pompous saying it, but it was really hard playing dumb. And I was worried that she was either going to be really annoying or really daring, so it was a fine line there that I didn't want to cross. But I think she's sweet. [Laughing] I had fun, actually. It was kind of nice to not have to come to the set and cry everyday."

Larry David: "It was interesting because she played someone who was much dumber that who she is and I play someone much, much smarter. So, we were at both ends."

Did you look at the history of Woody Allen's young leading ladies and what they might have had in common or different over the years?

Evan Rachel Wood: "No, I just wanted to make her my own. I'm very honored to be in that group of women now. I never thought that I would be starring in a Woody Allen movie, having grown up with actor parents and my mother going, 'This is Diane Keaton. Watch, learn, live it, love it.' And now I'm one of the girls, it's pretty cool."

Larry, how different is this character from the Larry that you play on Curb Your Enthusiasm and the real Larry?

Larry David: "Do I have to fill in the real Larry? Well, let's see, the character on Curb is normal, I think, compared to this guy, because the character on Curb actually wants relationships and sex and things like that. I don't know. He seems very normal compared to this guy. This guy is way out…this guy wears shorts. Never would the character on Curb wear shorts or would the person talking to you right now wear shorts. So I think that's a very disturbing thing right there."

Patricia, most men want two women, but you had two men. How did you feel about that?

Patricia Clarkson: "Finally. Finally. [Laughing] How do I feel? I'm thinking about trying it myself. I've never done it, but I never say never. The night is young. Yes, it was terrific. I thought it was exciting and sexy. I had two delicious actors and men, and I was fortunate that he let my character have that."

You're from the South, so was this Southern woman you play based on someone you might have known?

Patricia Clarkson: "No, but I certainly have known women like Marietta. But she is just kind of a mix of many women I have known through my lifetime with Southern women. I've met women from every spectrum in the South. In my family, there is a woman of every spectrum. I have four older sisters and a mother, and we are all very different Southern women. Woody wrote such a stunning character, so I just showed up in some ways. But I brought things of my past for us to play with."

Can you talk about working with Woody Allen? He works in a very quiet way, where apparently he doesn't interfere with what you're doing. As an actor, do you want more from him or do you like the way he works?

Evan Rachel Wood: "I almost had a panic attack the first day. I was certain I was going to get fired because I just wasn't used to it. You ask him, 'Was that okay?' and he says, 'Yeah, that was fine.' I don't know what that means, but I guess it's good. I ended up liking it, and I kind of get what he was going for after watching the movie. I don't think he wants to distract you or make you think about it too much; he wants it to be as natural as possible. His favorite takes were when we messed up."

Patricia Clarkson: "I think his genius, his craft, he has such trust in you as an actor, it's a beautiful thing. You walk in and he doesn't feel the need to say much, and I like that because he steps in at just the right moment."

Larry David: "Yeah, you're doing something wrong, he lets you know about it."

Patricia Clarkson: "He lets you know it, but he lets you go. And I think also indirectly you have to know your character so well with Woody, because you really have to... It's like theatre, you have to be able to do very long takes. You have to be prepared, you cannot be lazy. You have to know how to improv. You have to know all of it – and so it really prepares you in this very deep, subtle way for the journey."

Larry, do you feel the same way because you said you were a little insecure when you started? Did you want more input from him?

Larry David: "Well, I was waiting to get fired. I was expecting it for a couple of days. I would go to the set like, 'I can't believe I'm still here.' No, I just felt like if I did something and he didn't say anything to me, that it was okay."

Evan Rachel Wood: "You were much braver than I though. You would just walk right up to him and start talking. I couldn't do that. I was too shy."

Patricia Clarkson: "But he'll say, 'That was good.' And that's huge praise. 'Okay, that was good, that was good for me.'"

Evan Rachel Wood: "And every now and then, 'That was really funny,' and you're like [breathing a sign of relief], 'Ahhhh.'"

As an actress is it liberating to play a woman who is experiencing a sexual awakening and where can we see your thumbprint on the character?

Patricia Clarkson: "Yes, characters who undergo transformations are always yummy because you get to make a journey and get to have two different looks. But I think I brought – I was born and bred in the South and I think I infused my Southern manner, my demeanor, my tone into her. I think it is there. And Woody let me kind of put little things here and there in. And I know big hair and I know tight clothes, and I know really bright colors. And although Woody is so specific about wardrobe, remember our wardrobe fittings?"

Evan Rachel Wood: "The camera testing."

Patricia Clarkson: "The camera test, which is again another way of preparing because as you're doing all of these wardrobe fittings [and] things start to happen to you. No, it was thrilling playing this character. I mean, come on, it was alive and sexy and fun, and sometimes very nerve-wracking."

Larry David: "I have a question. Are you critical of non-Southerners when they do Southern roles?"

Patricia Clarkson: "Yes."

Larry David: "Are you hyper-critical?"

Patricia Clarkson: "Deeply."

Larry David: "Because when I see gentiles playing Jews I don't like it."

Patricia Clarkson: "And that's the beauty of this part. Woody is a very Northern man. He's a big old Yankee, but he got this character very right in so many ways. And yes, I'm very sensitive about Southern characters. But women like this do exist, and so you have to embrace it."

La propuesta

Ryan Reynolds says working with Sandra Bullock is something he'd been wanting to do for quite a while, and it was all just a matter of waiting for the perfect opportunity to team up in a comedy. That opportunity presented itself with The Proposal, a romantic comedy that finds Bullock playing Reynolds' boss who's on the verge of deportation. In order to stay in the United States, she fakes a relationship with her underling.

Although Bullock had pretty much sworn off films of the romantic comedy ilk, both she and Reynolds believed with The Proposal they'd at last found the right project to do together. And at a press conference in LA in support of the Touchstone Pictures release, Bullock and Reynolds - both married - demonstrated they have good chemistry both on and off the screen.

Sandra Bullock and Ryan Reynolds Press Conference

That nude scene was very bold and you looked fantastic.

Sandra Bullock: "Thank you for that."

Can you talk about...

Sandra Bullock: "Ryan's penis? I can. At length."

Ryan Reynolds: "In great detail."

Sandra Bullock: "Sadly, my first and last nude scene got laughs. I had to be very secure with that. It was all about choreography. I mean, literally when you read it on the page you saw it and then you realized, 'Okay, there's no way to shoot this unless you're buck naked.' Then I went, 'Go to the gym. Cut out the carbs.' When it's funny though, if it turned out funny it was worth it. But while we were shooting it, it was supposed to be Betty [White] and I naked. She has in her contract that she only does nude scenes with like Ryan. I'm glad that it made people laugh, but shooting it was odd. There are things stuck to it and generally you don't have things stuck to it. I mean, there are things covered, but not stuck to it. Then you got unstuck and oddly we didn't care because we were so tired. Anne [Fletcher] was like, 'Your vagina is hanging out. Cover it up.' I go, 'Sorry, sorry.' I said the word."

Ryan Reynolds: "I will not say vagina, no matter what. The weird part is calling your mom nude, like, 'Hey, just checking in.'"

Sandra Bullock: "Oscar [Nunez] had to show his man vagina in a little banana hammock."

You've done a few of these romantic comedies before. What was it about this one, Sandra, that you wanted to say yes to?

Sandra Bullock: "Well, I had stopped doing them however many years ago, six or seven years ago. I just stopped. They're terrible. They're bad. They're not funny and so they shouldn't be a romantic comedy because most of the time they're not romantic. They shouldn't be called 'romantic comedy.' They should be called that other kind of film. I don't call this a romantic comedy. It reminds me of the films from the '30s and '40s where there was a landscape and a story and drama was allowed to be in there. You can't have good comedy without drama in it, and they don't generally write well for women in romantic comedies. I love my comedy too much to bastardize it with bad romantic comedy. So I was like, 'Okay. That's done.' I'm going to find another way to work and do it in a way that I love. So I'm not calling this a romantic comedy. That's how I got by it."

What are you calling it?

Sandra Bullock: "A motion picture."

Ryan Reynolds: "Let's just call it a talkie."

What was the most challenging: the nude scene, being felt up by Betty White, or watching Oscar Nunez shaking his goodies?

Sandra Bullock: "Let me just say...you put it that way and I think, 'God, we shot a soft porn.' Let me just say that Betty White feeling me up was the best second base I've ever had. She was tender, but firm. She found them instantly, which is not easy. She was cupping, gentle and loving. I felt satisfied afterwards. The hardest part really was watching this amazing comedian, this actor. I would stop him in the middle of the scenes and go, 'How did you make that character do that?' When he would do his scenes I just had to sit there and take it. However close he wanted to give it I took it."

Oscar Nunez said that was the first day you met.

Sandra Bullock: "It was. But to his credit, when he was on the floor and had to do that part, I was looking in his eyes on the chair and I had to sit there. I saw his eyes go from, 'Oh, my God, I'm so exposed -' to 'I'm going to give you my gift. I'm going to give you my gift.' It was hard for me not to laugh and to not feel pain because I couldn't contribute in any way shape or form. I couldn't help him. It was all him."

Ryan Reynolds: "Oscar has this great ability to express unbelievable amounts of vulnerability in a single look that's hysterical."

Sandra Bullock: "Or a single gyration. It was so hard. Then of course doing it with Ryan, it could've been really weird. Had we dated in the past I'd have been like, 'I've been there. Done that.' But we didn't and it was like he comes in and you go, 'Now I'm going to see you.' I just didn't want him to laugh when he saw me like that."

Ryan Reynolds: "You know you've made a bad move, because you don't normally combine nudity with stunts. This isn't like Cirque de Soliel porn. It's a movie. You have these scenes where you slam into each other. You fall onto the ground and I would always know that something popped out wrong because the cameraman would go, 'Oh!' By hour four I had abandoned the fig leaf or whatever the hell they gave me and I was just throwing caution - and other things - into the wind."

Sandra Bullock: [Laughing] "Okay. God. That sounds so crazy."

Sandra, the boat scene, did you learn to drive the boat or take lessons? Was that really you in the water?

Sandra Bullock: "The stunt guy goes, 'Okay, today, this is what you're going to do. You're going to go down the ladder. You're going to jump on the boat. Ryan is going to be tying it up. I want you to do it and then I want you to do a burn out around to the corner and then I want you to go.' I went, 'Okay...' First of all, I love the fact that he assumed that I knew how to drive a boat. Second of all, we went out one day in choppy waters just to get the feel of the boat. I have a boat, but I've never done a stunt on a boat, but that was all me. I was literally burning out, but I had to make sure that he didn't go flying off the side of the boat. But I loved it. I gunned it and I was like, 'Ooh, maybe next time I get some more spin.' Poor Ryan."

Ryan Reynolds: "Yeah. It was terrific for me. Amelia Earhart over here in the boat all day."

Sandra Bullock: "Ryan can do anything, though. I knew he'd be fine if he was hanging off. He was in Wolverine. And yes, I was in the water."

Ryan Reynolds: "Freezing water, too."

You known each other for a while. What did you learn from each other in working together? And can you talk about Betty White? I can't imagine the movie without her.

Ryan Reynolds: "Mostly birthmarks is what I learned about Sandra that I wasn't aware of. That little Italy one. No. Look, I always say that chemistry is something impossible to manufacture. It's either there or it isn't. The fact that you're friends doesn't necessarily equate to great chemistry. So we learned early on that we had it and I was so grateful for that. It's like one of the few magical things about film that still exists. There's no way to manipulate that. It's either there magically or it's not. We had it and it was amazing. To answer your question about Betty, I could see the movie without her."

Sandra Bullock: "I tried to cut her out."

Ryan Reynolds: "Yeah. I like attention and then suddenly Betty comes on set. Betty has the best exit line I've ever heard for a movie. I hope she doesn't mind me sharing this. On her last day, I've never seen a crew give such an enormous standing ovation to somebody. Grown grips with ZZ Top beards crying because Betty is leaving. Betty turns around and says, 'I want everyone to know that this is the most fun I've ever had on a film set.'"

Sandra Bullock: "And everyone is crying."

Ryan Reynolds: "I was crying. And as she walked out the door, she turned back and said, 'Standing up.'"

Sandra Bullock: "I agree with Ryan. There have been people who have worked together in films who despised each other and had enormous chemistry. I think the one thing, I got away from comedy because it wasn't being done in the way that I loved and the way that I could do it. It made me sad because I felt like it wasn't appreciated and no one was writing it so, 'I'll abandon it. I'll never be able to do it.' It came back and not only did it come back to me, it came back with a man who wrote a role that Carol Burnett would've gotten. Anyone else back in the day would've gotten it. They don't do this anymore. Then you read the other roles and you read who was cast and you went, 'Oh, my God, the things that I'm going to learn. I get to have that moment of timing in comedy and making it convincing and working hard and making people laugh and telling a great story.' Then they said that Ryan was going to do it and I said, 'That's the only person that I could do this with. That's why I want to step back into it.'"

"I was a little worried that the familiarity would be a little weird, but I think for me everything is musical in my life. For me, timing is a rhythm. Ryan and I can be doing a scene facing the camera and somehow our back and forth and our rhythm, we know when to stop and when to volley, when to make the sound. It's like music. With Betty, her line about the Easter eggs, it's so innocent. That's to Anne's credit. I mean, yeah, she was a choreographer, but she was born to be a director. You need to have the ability to figure out people's rhythms. It all starts from the script. Those words and attitudes. I was so thankful that I got to go back and I felt bad that I had abandoned something that I guess I was naturally given and lucky to have an loved all of my life, but didn't love it anymore because I didn't get to do it the right way. I really am thankful that I got to do it the right way with people who taught me how to do it better. Do you know what I mean? I had to raise the bar and I was so thankful."

Ryan Reynolds: "I just want to add, and I'm not one to mythologize other actors too much, but obviously Sandy is a gorgeous woman..."

Sandra Bullock: "Thank you, Ryan."

Ryan Reynolds: "No. But I think the reason that people fall in love with her is that she doesn't seem to know it in the same way. I think that's the thing. She doesn't seem to know it in a way that other gorgeous people maybe would. I think that's what makes her so accessible. I think that people see that and that she has an ability to laugh at herself and you just don't find that too often."

Sandra Bullock: "I'm not sleeping with you. It's not going to happen."

Sandra, we know you as a likable character.

Sandra Bullock: "I'm a good actress. That's why you know me as likable."

How did you put that likable energy into this bitchy character?

Sandra Bullock: "Because I am a bitch. I am a horrible, evil bitch but I'm a good actress and I can act like a really sweet person. Everyone has it in them. Ask Betty. It's such a joy to be able to play someone who is angry. It's a joy and a relief. Having to be nice all the time is exhausting and boring, but to play someone who just has that under layer of unhappiness, you know that it comes from someplace. There's a crack in the veneer. I said for three months that I could be a bitch and people were like, 'Why are you being that way?' I said, 'It's my character. I'm in character. I don't have to apologize for being this way .' I take it home with me. I'm a bitch because I'm working as a bitch."

Ryan Reynolds: "It feels like resting."

Sandra Bullock: "It was pure heaven. I love it. We all have it in us. It's who I am. No. People who do comedy really are the nastiest people on the planet. Animal lover Betty White."

Who did you look to when you were performing this character? Was it any of the older comedies of the '30s and '40s as you mentioned earlier?

Sandra Bullock: "I didn't watch any films. This film had it all in the script. Once all the pieces, once I met Anne and I knew what she wanted and that we wanted the same things, and once they said Ryan was onboard and once the casting came together, you saw what it wanted to be. We didn't relate it to anything else."

You didn't want to emulate anything else?

Sandra Bullock: "Nothing, nothing at all. The beauty of it was that everything was a character. The setting of Alaska, which we've lost in filmmaking, especially in comedies - we don't remember the setting. I love people in elements that they're not used to. Typical fish out of water. But take this gorgeous setting of Alaska where we shot and like Rockport, Massachusetts. I didn't know places like this existed. The costume designer designing clothes that helped the comedy, that sold the character. Each and every detail was so perfectly thought of, what wouldn't be here? That's a lost art. People order clothes out of a catalogue, put it on an actor and everything is generic. This was building something from the ground up. I give it to Pete [Chiarelli]. I just bow at his feet for writing this. Every single character, every single person in this film you could watch for two hours and make a whole other film on and that's great writing, except for me. You get that and you just want more of that."

Ryan Reynolds: "Pete and I actually worked together five years ago on The Amityville Horror. I think that's when he began writing this script."

Sandra Bullock: "I can't see him as a studio executive."

Ryan Reynolds: "Believe me, I have. That's the reason he isn't anymore."

Did this movie change the way you treat your assistants?

Sandra Bullock: "Katie! [Her assistant in the room]. Does that answer your question?"

Ryan Reynolds: "'Katie, give me a kidney now!'"

Sandra Bullock: "I hate the word assistant. No one works for me. I work with everyone because I couldn't do anything without the people that I work with. But there are so many people in our industry that we know well that you're like, 'That did not come out of your mouth.'"

Ryan Reynolds: "We've all had that moment where the agent thought he hit hold. You hear it's like Hamburger Hill in the background."

If there's another romantic comedy out there you liked, would you do it?

Sandra Bullock: "I haven't the slightest idea. I'm like the queen of planning and scheduling and I'm trying very hard to stop it. I just want to finish what I'm doing and go home. I want to have a weekend. I want to have breakfast, a stack of pancakes. I don't want to not enjoy where I am at this very moment. So, every time I plan something the exact opposite happens. I hope that I'm always satisfied and content like I am right at this very moment. But I have no idea."

Ryan Reynolds: "You do it so well though. Every time I hangout with you I think I want to be you. I want to be married to Jesse James."

Betty White talked about meeting Jesse and all of his tattoos. She said that if you can't sleep at night, you roll over and read him.

Sandra Bullock: "Every time he came around it was like a flirt fest."

Ryan Reynolds: "Are you talking about me?"

Sandra Bullock: "No. There's a little something going on with her and Jesse. There was a little eyeing and touching."

Is it unnerving having him be on a TV show where they're trying to kill him every week?

Sandra Bullock: "No one is trying to kill him. It's him against himself. It's him creating and pushing the envelope. [Laughing] Yeah, it is very hard."

Any word on a Deadpool movie?

Ryan Reynolds: "Yeah, it's in the works. That's about all I can really say. It's something that they're actually hashing out."

Sandra Bullock: "It's very top secret though."

Ryan Reynolds: "It seems to be."

Do you have any creative input?

Ryan Reynolds: "Yeah. I'm meeting with them all the time. We're in constant contact and it's just a matter of breaking the spine of the story and figuring out who it is and who's the villain. Look, I'm into any role in which I get to kick Captain America in the nuts."